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MagyarCanon unveils 35mm full-frame EOS C400 camera for filmmakers with 6K 60P recording, extended 102,400 ISO, AI autofocus, and IP streaming
Canon has unveiled the Canon EOS C400 camera for filmmakers that can produce high-quality, low-light recordings with 16 stops of dynamic range from its new 26.7MP, 35mm full-frame sensor. The back-illuminated CMOS sensor design reduces image noise while delivering faster read-out speeds, enabling an extended ISO up to 102,400 and triple-base ISO speeds of 800, 3200, and 12,800. The Canon EOS C400 will be released in September 2024 with an MSRP of $7,999.
Recording Codecs
The EOS C400 can use the Cinema RAW Light codec to record Super 16mm (2184 x 1152), Super 35mm (4368 x 2304), and full frame (6000 x 3164) videos on CFexpress 2.0 Type B cards. The videos are recorded with a maximum bitrate of 2,130 Mbps at 6K 60P and 1,730 Mbps at 6K 24P when using the 12-bit RAW HQ mode. Lower-bitrate ST and LT modes are also available to reduce RAW storage demands.
Additional recording codecs include XF-AVC, XF-AVC S, XF-HEVC S at 10-bit 4:2:2, XF-HEVC S at 10-bit 4:2:0, and XF-AVC S at 8-bit 4:2:0, enabling simultaneous RAW+MP4 recordings to a CFexpress and MP4 to a SD card. The new S codecs use file names and folder structures that are easier to manage, but are otherwise standard MP4. Oversampled recordings eliminating moiré and aliasing can be made up to 4K 120P using the XF-AVC codec at 10-bit 4:2:2.
Lens compatibility and ND filters
Filmmakers can use an optional PL-RF adapter to attach PL-mount lenses to the camera’s RF-mount, opening the EOS C400 to the vast world of cinematography lenses. Internal ND filters provide up to 10-stops of light filtration in 2-stop steps, a must when using fast apertures due to the minimum camera ISO of 800.
The C400 can also record 3D VR video and images due to EOS VR System compatibility when coupled to the Canon RF 5.2mm f/2.8 L Dual Fisheye lens. This feature allows filmmakers to easily create 3D media for AR/VR/XR headsets as well as games.
Focusing
The camera comes with improved autofocusing capabilities utilizing Canon Dual-Pixel AF II technology, reducing the need for a focus puller during handheld shots. Digital Image Stabilization utilizes the built-in gyroscope to reduce image shaking with any lens. The EOS Intelligent Tracking and Recognition (iTR AF X) AI algorithm recognizes and tracks human and animal subjects by eye, face, or body as well as color across the entire frame.
Manual focus can be judged using the 3.5” 2.76 MP touch-screen. The monitor can be mounted in a variety of positions and angles on the camera handle, which has a Multi-function Shoe that supplies power to and enables communications with accessories.
Connections and Remote Capabilities
The EOS C400 is fitted with a slew of industry-standard connectors – 12G/6G/3G/HD-SDI, 3.5mm stereo mini jack, DIN (Genlock, time code, sync, ret.), HDMI, mini-XLR, USB-C, return video, and Ethernet, Wi-Fi, and REMOTE terminal.
The camera is fully controllable from remote locations by web browser or XP protocol app over 1000Base-T Ethernet and 802.11ac Wi-Fi connections. Recordings can be transferred using the built-in FTP server or IP live-streamed. The C400 supports UDP, RTP, SRT, RTP+FEC, and RTSP+RTP streaming of 2K 60P live-video at 9 Mbps.
Dimensions and Weight
The body weighs 3.4 lbs. (1550 gr) and measures 5.6 x 5.3 x 5x3 inches (142 x 135 x 135 mm).
Readers who don’t have $7,999 but want a great DSLR can pick up the more affordable 24MP Canon R8 DSLR capable of 4K 60P video recordings (on sale on Amazon).
Source(s)
Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens
New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras
MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back-illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens.
“Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.”
EOS C400 Camera Back-Illuminated Stacked Sensor
For the first time in the cinema EOS system, the Canon EOS C400 camera features a newly developed 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.
An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling.
EOS C400 Camera Recording Options
The EOS C400 camera records in 6K full frame up to 60p in 12-bit Cinema RAW Light. By changing the sensor mode, the camera can record 4K RAW up to 120fps and 2K RAW up to 180fps. This is all recorded in Canon’s latest iteration of Cinema RAW Light, which provides three different recording modes to choose from depending on your file size preference and workflow.
Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.
All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW.
EOS C400 Camera Production Options
For live productions, the EOS C400 camera body features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses, a variety of output and input interfaces including mini-XLR audio inputs, DIN connectors for time code, genlock and return video, 12G-SDI and 3G-SDI monitor outputs, a full-size HDMI output, built-in Wi-Fi connectivity, Ethernet and much more. The camera also features SRT protocol for IP streaming of video and audio. For shooting scenarios where the camera will be controlled remotely, you can use the Ethernet port or Wi-Fi connectivity to enable remote control, including support for the Canon Multi-Camera Control app, browser remotes, or the Canon RC-IP100 or RC-IP1000 controllers via use of the included XC protocol.
The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens.
CINE-SERVO 17-120mm Cinema Lens
This latest cinema lens from Canon builds upon the legacy of the company’s CINE-SERVO line, with the added benefit of a native RF mount. The additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, enabling auto focus, distortion correction and metadata output for virtual productions. The lens comes in either RF or PL mount configurations, with the PL mount version supporting ZEISS eXtended Data and ARIA (Automatic Restoration of Illumination Attenuation)1.
The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations.
PL to RF Mount Adaptor
Canon is also introducing the newly developed MOUNT ADAPTER PL-RF. This adapter opens up a broad range of PL mount lenses to the EOS C400 camera. The adapter maintains compatibility for Cooke i/Technology metadata communication between camera and lens and includes locking plates to help achieve maximum mount strength. To learn more about these new products and Canon’s array of cinema solutions, please visit here.
Pricing and Availability
The Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be available in September 2024 for an estimated retail price of $1,599.00. * For more information, including accessory prices and availability, please visit here.
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean markets. With approximately $29.4 billion in global revenue, its parent company, Canon Inc. as of 2023 has ranked in the top-five overall in U.S. patents granted for 38 consecutive years†. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To learn more about Canon, visit us at www.usa.canon.com and connect with us on LinkedIn at https://www.linkedin.com/company/canonusa.
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† Based on weekly patent counts issued by United States Patent and Trademark Office
* Specifications, pricing, and availability subject to change without notice. Actual prices are set by dealers and may vary.
1 Sony ARIA is a camera function established by Sony and the ARIA name was determined by Sony.
